Showing posts with label Kari. Show all posts
Showing posts with label Kari. Show all posts

Tuesday, June 07, 2011

You Are Not Your Character

No matter what genre you write, one of the biggest things you have to be sure comes through clearly to readers is the motivations for your characters—why they are doing the things that they do. And I think one of the hardest parts about that is the separation between what YOU, the writer, would do and what your character would do because they are not, or at least should not, be the same.

I can’t tell you how many times I’ve talked about a book or even one of my manuscripts with someone, and their response is “Well, that’s not what I would do.” And my response is always, maybe with a little frustration, “Okay, but that IS what the character would do.” This difference might seem obvious, but it comes up very often. Because while you do have to stay true to the characters, you also have to pitch it in a way that readers can step outside of who they are, and get into who your character is. You have to give them the reasons to believe that yes, that really is what the character would do. The flip side to this is, of course, not letting a reaction stay in your book just because it’s what you would do, or even what you want, be it your character’s decision to have sex to the way they finally come to terms with something major. But for the sake of this post, we’ll ignore both that and focus just on putting the motivations in.

It’s not just a motivation to do something that I’m talking about either. This also includes a reaction to something, the speed of things, and all those other aspects that hinge on the realism of the book, even in the paranormal/fantasy. Just because you would blow up at the person who insults you doesn’t mean the character would. Just because you wouldn’t let someone use your head as a punching bag day after day doesn’t mean the character would. Just because it took you a year to truly love the person who is now your spouse doesn’t mean a character is incapable of falling, and knowing it, faster.

One example of the latter that comes to mind is Leah Clifford’s A Touch Mortal. Yes, Az and Eden seem to fall fast for each other, but at the very opening of the book, right on page one, Eden is contemplating suicide. Think of just how far under and how dark a place you have to be in to be seriously contemplating it, to not see reason to keep going. Yes, understanding that mindset is something that a lot of people struggle with, but it’s also something that is heartbreakingly real. And then comes along Az, someone who cares for her, talks to her, makes her laugh. Put those good emotions on the backdrop of the harder ones, and is it really that hard to believe that she would fall fast, and fall hard, and love him in just a few months time?

Or what about Like Mandarin by Kirsten Hubbard, about Grace, who wants so bad to be like Mandarin, a girl a few years older than her? That seems okay in just that statement, except from an outsider’s perspective, Mandarin is anything but a role model. Maybe your first response is “of course Grace wants to be like Mandarin, she has that bad note to her.”And maybe you were exactly the same way you were fourteen, striving to be this enigmatic outcast that you looked up to. But truthfully? In this book, it is so much more than that, more than looking up to Mandarin because she’s older, more than just thinking an action or two of hers is cool, and more than Grace simply being a manifestation of Kirsten. If you ever want an example of how to do motivations in all the right ways, even when maybe the outcome of what the character wants isn’t ideal, this is where to turn.

From the emotional part to their personal history to the parts of their personality that lead them to their reactions or desires, every bit of that, however subtly, has to be put into your book. As a reader, I want to understand, without being blatantly told “and this is why I let him hit me again,” why the character is behaving that way. And not just for the protagonist, but for the side characters and every other person in that story who has a role and impact. Because the important thing when writing any kind of situation is that the readers can understand why your character reacts the way they do.

This doesn’t even only apply to the bad stuff, but the good as well. From when the character makes that realization that they have to put themselves first in something, even if it hurts someone else, to telling everyone they can that the person they love loves them back… I want to get why they do it, and I want to know without a doubt that it really is their character. And when you get that in there, as a reader, I won’t say well this is how it should have been because it’s what I would do. I’ll believe it, because I’ll believe your character.

That's it until next time, and if you have any tips of your own how you make sure those motivations are in there, let me know!

~*~ 

Kari is a querying YA writer and book blogger who currently works a day job with a radiologist group and lives in Dallas. She enjoys badgering her dog Toby, meandering around the internet, and reading lots and lots of books. Currently juggling three manuscripts, she’s dreaming for the day she can stay at home and write full time, preferably with a charming boy to cook and clean. You can find her at http://agoodaddiction.blogspot.com/.

Tuesday, May 10, 2011

The Little Things That Say So Much

One of the most consistent comments I get from my beta readers is how real things always seem, especially with my dialogue. And I would love to give you guys a step by step of how I do that but the truth is, I just do. When I write, I see the scene both through the eyes and mind of my protagonist, but also as if I am just standing in the room watching. Those two images overlap for me, but it's the latter where so much of the realism comes out. Because that's where the little things show up.

The little things like taking a step forward in the middle of an intense conversation, or seeing the person the protag is talking to look away as their arms cross. In a fight, does your boy try to touch his girlfriend, or does the dad reach out for his son, think better of it and let his hand fall by his side? What are the small mannerisms of each person in the room that you can convey naturally, without repeating the same things over and over? The things beyond the sighs, and the eye rolling, and the shrugs?

That, I think, is where much of the realism in my writing comes through. I don't waste time on elegant descriptions. I admit, I don't describe how the blue of the wall matched the deepest oceans, or how the way the light glinting off the blond streaks in a girl's hair were like angels singing. Sure, I mention that the sun was hitting the girl's face, or the blue walls contrasted to the anger in a character, but I focus on the people more than the surroundings. My style is to give just enough for the reader to see it and let their mind go, because unless those blue walls truly have a huge importance in the book, I don't waste my reader's time explaining about them. When it comes to word economy, at least for my natural style, I bypass the in depth, flowery descriptions and go right for the kill.


Take the picture here as an example. When you read about this kiss, however it plays out, do you want to know what they were wearing, how the umbrella is black and not blue, and the fact that the flag in the background is red? Or do you want to know how tightly they held each other, how they tasted, how long they paused before launching into each other's arms? Me? I'd rather know the latter, and that's what I put into my books.

So there you have it. My little guide to realism in dialogue and description. Now take all that, couple it with just the normal dialogue and talking between your characters, adding in all those small things, and you've easily built the entire scene in the mind of the reader, without doing a paint by number for them.

Tuesday, March 29, 2011

Boys! How Do Those Authors Get Them So Sexy?

It’s no secret to anyone who follows me on Twitter that I love fictional boys (okay, and real ones). But just talking, again, about hot boys isn’t the purpose of this post (shocking, I know). Nope. The point of this is to talk about the why behind their hotness, because it takes more than dashing good looks and a six pack to make me swoon (but the six pack helps).

Because here’s the thing. Just because the writer thinks a boy character is Adonis or the epitome of all things sex and baked goods doesn’t mean the reader will. Just telling me he’s super hot doesn’t make it true for me as a reader. Whether it’s because their words don’t translate the same in my head from the actual description, or just because their physical appearance isn’t really my style, there’s a lot that can go wrong just basing it on physical description alone.

So where do you go from there, if it’s not just telling me he’s hot? Show me.

Does he have a smile that is just slightly higher on one side than the other, or one dimple that goes deeper than the other? Does his forehead wrinkle when he’s in thought or worried, or does he chew on even just the tiniest corner of his lip? What can I learn as a reader that tells and shows me the deeper sides of him? The telltale signs even when his face is otherwise a mask. Does he have long hair that can fall in his face, hiding him just a little? Or is he unable to hide, even when his face goes tomato red?

But beyond habits and quirks, I want to know his personality. I want to know how he comes off to others, and how he acts when it’s just him and someone close to him. I want to see that rough and not caring exterior that a lot of teen boys do have, while still seeing the potential and the good in him. I want to go from hating him to loving him, and eating up his angst that he works so hard to hide from everyone else.

I know everyone’s taste in boys is different, but the biggest thing for this girl is for the guy to be, well, not perfect. I don’t mean give him stereotypical boy habits. I mean give him some flaws, and let me know about them. Let him mess up. Let me see him hurting. Don’t put him on a pedestal and let some guy just sweep right in and suddenly, a girl’s whole world is just fantastic and amazing and nothing is ever wrong again.

But don’t make him all flaws. Don’t rely only on those flaws to pull him through and make him totally swoonworthy. Find that perfect mix of flawed and good, tender and rough. There isn’t some magical mix of 40% flawed and 60% good that guarantees a boy every girl who reads it will just fall right for him. It’s as specific to the character as it is to the world they live in and the other characters they interact with. Is there that one girl who just completely changes him, who makes him want to change, just because she’s around? Or is he damaging himself, trying to protect his family? What are the reasons for his behaviors? Show those to me, and chances are, once I empathize with him, I’ll start to fall for him.

And just in case you need a few examples, here are a few YA boys who have made me drool and stole my heart even after the book was finished:

Wesley Rush (The DUFF by Kody Keplinger): If you want to learn how to turn a total jerk into someone you’ll drool over, read this one. Chances are, your first impression of Wesley isn’t going to be a good one, but keep reading, because you’ll see what I mean about understanding then falling.

Will Rutledge (Firelight by Sophie Jordan): If you want to learn how to infuse such a deep amount of angst that girls will want nothing more than to hug your boy and make everything better, read this one. Because what makes that angst so real? The reasons behind it.

Seth McCoy (Freefall by Mindi Scott): This one’s your example of how to make a guy still completely swoonworthy even when he’s the protagonist and the reader has full access to his head. You want real and flawed, with just the right amount of angst? Read this one. Because even though you’re in Seth’s head, you can see him falling for you, and trust me, you’ll want him to.

Aiden Wilder (The Naughty List by Suzanne Young): Here’s your jock that has everything going for him, but is still a genuinely nice guy. He’s funny and sincere, and though he might be a little on the horny side, it’s out of love for his girlfriend instead of just hormones. Aiden is your example of how to break the stereotypes, while still staying realistic and something that any reader can see and relate to.

Will (Angelfire by Courtney Allison Moulton): Here’s your example of a guy that doesn’t give a great first impression, but has way more to offer than can be explained in just a page or two of introductions. This is a boy who has a darker side, hinted at around the edges, but pushed away by an internal desire that is so clear with every scene he walks into.






~*~
Kari is a querying YA writer and book blogger who currently works a day job with a radiologist group and lives in Dallas. She enjoys badgering her dog Toby, meandering around the internet, and reading lots and lots of books. Currently juggling three manuscripts, she’s dreaming for the day she can stay at home and write full time, preferably with a charming boy to cook and clean. You can find her at http://agoodaddiction.blogspot.com/.

Sunday, February 20, 2011

EPIC Double Helix CONTEST!!

Hi Everyone!

I hope everyone is having a fantastic week! Well. We have reached 100 followers!!! YAY! Thank you so much for following us.

We think that it's about time to have an EPIC contest! Just fill out the form below to enter for your chance to win one of these great prizes! And we're giving extra entries for spreading the word and/or following our individual blogs. So you have the chance to score some mega entries!




Prizes:
  • Brenda: Free $25 Amazon gift card.
  • Shelley: Free book from the Book Depository under $15.
  • Erica: Free book from the Book Depository under $15.
  • Cassandra: Free 10 pg MS critique or 4 pg synopsis critique ($35 value).
  • Diana: Free $15 Starbucks e-gift card.
  • Janelle: SIGNED paperback of Lisa McMann's WAKE.
GRAND PRIZE: Full substantial edit of 80k or less (MG or YA only) from Kari!

Rules:
  • Must be a follower of this blog.
  • Fill out the form below.
  • Contest ends at midnight EST March 6th.
Links:

Thanks again and GOOD LUCK!!


Tuesday, February 08, 2011

Go Ahead, Judge These Books by Their Covers

This post is pretty much dedicated to some of my favorite covers of 2011 upcoming books. Sure, authors don't get a say in what their cover looks like, but looking at these babies, I think that's not such a bad thing. There are some covers of upcoming books that would make me pick the book up in store without ever having heard anything about the book, that might even make me buy the book whether I like it or not just for the cover.




Imaginary Girls by Nova Ren Suma: I adore the blue, and the contrast of the red into it. This one is just downright gorgeous on so many levels, and I get the sense that it's one of those covers that actually really fits with the book, once you've read it.

A Need so Beautiful by Suzanne Young: In a world of dark colors for paranormal/supernatural books, the gold on this is just stunning. I seriously cannot wait to see the final hardcover bound version. I love the font for the title, and the intense look on the girl's face. So. Pretty.

Hourglass by Myra McEntire: This one is honestly just a mind meld. It takes you a few seconds to really see it before... oh, she's on the wall. I love the initial interest in the way her hair and dress are falling forward, before realizing the why of it. The colors are catchy and simple, too.




The Unbecoming of Mara Dyer by Michelle Hodkin: I love the dark colors. I love that there is actually a guy behind the girl, holding her closer... maybe saving her, maybe dragging her under. This one is just so intense in such an inexplicable way.

Shattered Souls by Mary Lindsey: Gorgeous. If ever there was a cover to say nothing but gorgeous about, it's this one. The muted, simple colors are appealing, the way the dress flows into petals is just so pretty, even for someone who isn't really into flowers.

Witch Eyes by Scott Tracey: This one totally appeals to the boy side of me. It's creepy and makes me wonder what's in the pages. The red building, set in a murky green, with the freaky eye thing going on above it? Why yes, I do want this book. Not to mention, this is another one where the font of the title itself is just... awesome.


So there you have it. Some of my favorite 2011 covers of upcoming books. Make sure you check these out when the time comes, even if some of them are far off. I certainly will be.

~*~
Kari is a querying YA writer and book blogger who currently works a day job with a radiologist group and lives in Dallas. She enjoys badgering her dog Toby, meandering around the internet, and reading lots and lots of books. Currently juggling three manuscripts, she’s dreaming for the day she can stay at home and write full time, preferably with a charming boy to cook and clean. You can find her at http://agoodaddiction.blogspot.com/.

Tuesday, January 25, 2011

The Chaos Inside

One of the biggest reasons I write, apart from the fact that I honestly enjoy it and have a passion for it, is that it’s therapeutic. It is so rewarding to put my emotions and confusion into a character and have them work it out. I know I'm not alone in this. It’s quick. Usually nothing even comes of the temporary release character. It’s got a benefit. But what about when just doing that doesn’t work? When it’s constant and it seems like nothing will get me out of it? Face it, everyone hits points of depression now and then. That’s accepted, and it’s okay. But beyond that, when it hits into clinical and actual mental illness? How often is that talked about? Despite the media frenzy over bullying, suicides, and the like, metal health is still such a taboo.

That is, until you put it in a book. I read mostly YA, but I can give you a long list of books that hit on depression alone. It’s got such a range, and it extends to far more than just cutting and being emo. It has so many ways that it comes out, so many causes and effects and lasting impressions. The ways it even affects others is endless. So maybe writing about a depressed character is cliché. Maybe suicide is overdone. But is it really, when it’s still so prevalent? When not every case is the same?

The issues books will always resonate with me. They make me really feel something, make me think, tear my heart out and rip me to pieces. Why? Because when done right (or, my kind of right), it is so realistic, and because it’s talked about so rarely. Authors haven’t been scared to include these things in their books for a long time now. From depression to bipolar to schizophrenia and more, even in YA, there is at least one book that covers many of the bigger mental health disorders. Sure, they may get bad reviews here and there, but their messages and points are always strong. There’s a purpose and lasting impression.

What I really want to know is why this is all so ignored. Why is it so horrible to have anxiety? To be depressed? To need some kind of help? Because I can tell you from experience, it is even worse having the added burden of keeping silent. Of being scared to tell someone for fear of how they’ll react. How many times has someone told you they’re depressed, and you just brush it off with an ‘everyone feels like that sometimes’? Or you distance yourself from them because you don’t want to deal with their funk? It happens in the real world. And it happens in books. But the kicker? When it happens in the books, that distancing character is the one everyone sees as being in the wrong.

Now take that, and you’ll get the best part of these books. The thing that doesn’t make them cliché. It’s that the chances of them touching at least one person are huge. Whether it’s the person who has their eyes opened in a new way and sees something different than what they already thought, or the person suffering in silence because in the real world, it seems so taboo to be mentally ill, who can realize they aren’t alone, someone is going to feel something more than just entertainment. Someone is going to realize that maybe the next time a friend who struggles says, in not so many words, that they need help, they’ll offer it. And that goes such a long way, and I don’t think anyone who’s ever been in that position will disagree.

So the point of this post? Don’t be afraid to put something in your book, just because it’s ignored in the media. Don’t let the hivemind type thoughts deter you. Don’t put the stereotypes and play into them. Put the real stuff. The raw stuff. The things that will affect your readers, and most likely you as well.

~*~
Kari is a querying YA writer and book blogger who currently works a day job with a radiologist group and lives in Dallas. She enjoys badgering her dog Toby, meandering around the internet, and reading lots and lots of books. Currently juggling three manuscripts, she’s dreaming for the day she can stay at home and write full time, preferably with a charming boy to cook and clean. You can find her at http://agoodaddiction.blogspot.com/.

Sunday, January 16, 2011

HOW WE MET

http://www.toothpastefordinner.com/archives/2004/Jan/

It was a dark and stormy night during the early days of NaNoWriMo 2010 and I decided to hang out for a night in the Michigan NaNo chat room to get my word war on.

And then the next day I checked my internet usage (I only get 5GB a month! *GASP*) and about died when I saw that chatnano had used nearly a full gig. "There goes my hopes of literary chattage," I thought to myself, before breaking down to weep and gnash teeth.

I stumbled upon Chatzy, a pretty awesome chat program that used significantly less bandwidth and rejoiced! I got a few of my fellow Michigan NaNo-ers to join me in Chatzy on the days that they didn't meet for on chatnano for some word wars, like Erica with her character's bra with wings (really, a skimpy dress,) and then invited some friends from twitter to join in with us.

Of those were Kari, word war speed demon that would make anyone cry with her word counts that were usually double the rest of ours. We decided early on to congratulate her, but secretly she didn't count towards the real winner. I frequently had the lowest counts, but I had friends so it didn't matter.

Other friends came along, like Shelley, the resident romance guru who kept us late into the night with her sharing of Greyson and that girl firefighter and their, um... parts.

Brenda came along too, sharing bits (and whole copies) of her Library Jumpers book that took the group by storm, along with her owly BirdBoy.

The five of us really fell in together during November 2010. By months end, I really didn't want our lovely chat sessions and word wars to end, but end they did.  Revisions were to be had, as well as incoming family for the holiday. Funny thing, though, we all kept meeting in Chatzy. We'd share bits and news and encouragement and embarrassing stories... They didn't want our perfect little group to break up either!

And so, fast forward to January when a few of us were talking on Twitter. Janelle and Diana got curious about our cryptic tweets and so we welcomed them into the fold. It's like they were there all along.

Erica dubbed us Dumbledore's NaNo Army, and I shortened that to DNA, and thus the DNA writers were born.
~~~

C.A. Marshall is a freelance editor, lit agent intern, YA writer, and loves to play with her dog Mollie. She dreams of one day owning a small house near the water, preferably in England, with a shelf full of books she has written and has helped others to write. She is currently single. And unagented. She can be found in Emmett, MI and at camarshall.com



Tuesday, January 11, 2011

Introducing: KARI


Bio:
Kari is a querying YA writer and book blogger who currently works a day job with a radiologist group and lives in Dallas. She enjoys badgering her dog Toby, meandering around the internet, and reading lots and lots of books. Currently juggling three manuscripts, she’s dreaming for the day she can stay at home and write full time, preferably with a charming boy to cook and clean. You can find her at http://agoodaddiction.blogspot.com/.

She is currently accepting applications for said boy. Extra points for being tall.

Interests:
Reading, writing, playing with Toby, hot boys, cute boys, okay boys in general, dark colors, tiny manatees, fuzzy socks, pajamas, music, video games, BlueBell Snickerdoodle ice cream, Girl Scout Cookies, and did she mention boys? And writing boys?

About My Books:
INCORRIGIBLE: Contemporary YA about teen struggling with his sex addiction who finds salvation in an unlikely place--a girl suffering from an eating disorder, all while he tries to fix the family he helped destroy. Complete at 77,000 words. Currently being queried.

AWKWARDLY YOURS: Contemporary YA romance from the male perspective. In revisions and complete at 84,000 words.

HOLD ON TO ME: Dual POV contemporary YA about two brothers who don't get along, don't understand each other, and don't know how to bridge the gap. In progress.

SUSPENDED: Contemporary YA about a teen who's girlfriend struggles with depression, pulling him down in the process. In progress.

Links:
http://agoodaddiction.blogspot.com/
http://twitter.com/flamingo1325